Retold by the three Fates of Roman mythology, Frankenstein returns to the hands of women practically for the first time since Mary Shelley completed it. Far from the groaning Hollywood monsters, ripped bodices, and drafty castles of popular imagination, this production centers around the bone-deep psychological horrors of abandonment, rag, and irrevocable mistakes in the making. How much can a man take, after all, before he becomes a monster?
